Community News — Kingston Theatre Alliance

There is no better place to begin building the foundation for radical change than in the dirt. Kinnomics by Iman Datoo opened on Friday, June 6 as an exhibit co-presented by the Festival of Live Digital Art (FOLDA) and the Agnes Etherington Art Centre. The exhibit opens the Agnes’ offsite space at 207 Stuart Street and explores how an organism or an artwork embedded in one ecosystem can find kinship […]

The boundaries between digital art and live performance are blurred in Peerless Productions’ Reflections and Refractions. Presented as part of the Festival of Live Digital Art (FOLDA), the show brings together sound, light, movement, and digital design in a thought-provoking production. Arriving at the Isabel Bader Centre, I wasn’t quite sure what to expect, but I knew it wouldn’t be traditional. That’s part of the FOLDA promise: to offer “what’s […]

Imagine this: you walk into a room and see ten objects laid out in front of you. A wallet, a medallion box, two remote controls, a Father’s Day card, a photo book, a radio, a stack of papers, an empty milk jug, and a cell phone. Carefully and strategically placed by Scenic Designer Helen Yung, you know each of these items holds the memories of a person, but you don’t know who exactly. Soon, you will find that the owner of these belongings is Brian Lewis, an unhoused veteran who is the father of Cole Lewis, the co-creator and performer of 2021. Lewis, along with Co-creator and Performer Patrick Belnkarn will guide you through the video game version of the very real story that is the last two weeks of Brian Lewis’s life. Exploring themes of  parenthood, the effects of war, ethics in artificial intelligence (AI), and terminal illness, 2021 is a show that can connect with people from all walks of life.

When I was a child, a family friend who happens to be a doctor once cautioned me to “be careful, because at a certain age you stop healing from wounds and you start just collecting them.” Warren Winters (Phil Perrin) has reached that age, and is really beginning to find the troubles that come with it. Decrepitude Blues follows Warren through doctor’s checkups and the loss of his job, friends, and wife, all the while highlighting the hardships of turning 70 with dry wit erupting at each new low. 

A nearly 80-year feat—it’s the National Theatre School DramaFest. The long-standing festival brings high schools together from across their province in British Columbia, Alberta, and Ontario, while out East, the four Atlantic provinces participate together. In Ontario’s DramaFest, District Festivals kick off the three tiers of showcases. Schools first perform their productions in their respective district where they may then be invited to a Regional Showcase. Two productions from each […]

When it comes to theatre, Felicia Holmes is up for anything. “I’m an actor, primarily, but I’m passionate about all aspects of theatre, and whenever I’m needed, I like to jump in. I went to the SLC [St. Lawrence College] music theatre program, and right from the very beginning, I was in the joint program with Queen’s. So two years at SLC, and then two years at Queen’s.”

Once upon a December—a few days before the opening of Blue Canoe Productions’ winter musical, Anastasia—I sat down with Remira Pryce to talk about community theatre and youth-led arts. It had been close to twelve months since Pryce stepped into her role as Arts Managing Director at the local youth-led theatre company, and she was eager to reflect on the past year and to chat about plans for the coming spring.

If you’ve been out walking along Princess, Brock, or Ontario Street in the past few months, you may have spotted some whimsical window displays. In February and March, Windows on Downtown Kingston featured work by Queen’s drama students, who have been studying the craft of bringing places to life in Clelia Scala’s prop design class this semester.